Experimental film-maker Jenny Brady explores ideas around speech, translation and the nature of communication. Brady uses experimental music and unexpected rhythms, interruption, and commentary as tools in this exploration.
Brady completed an MA in Visual Arts Practices, IADT in 2010. She is a recipient of the IMMA 1000 Residency Award and has presented work at a wide range of moving images events, including the 62nd International Short Film Festival Oberhausen; You Ain’t Seen Nothin’ Yet, Beursschouwburg, Brussels, curated by Helena Kritis; Experimenta at the BFI London Film Festival; Futures ’15, RHA Gallery; Videonale 15, (Kunstmuseum Bonn); Roadkill (IMMA); Pallas Periodical Review #4 (Pallas Projects / Ormiston House); Wade-In curated by Chris Clarke (Lewis Glucksman Gallery); EVA International 2014 curated by Bassam El Baroni; Images Festival 2014 (Toronto); Futures ’13 (RHA); TULCA Golden Mountain 2013 curated by Valerie Connor; Make-Shift (Talbot Rice Gallery) curated by Modern Edinburgh Film School; The Political Animal curated by Olga Koroleva, The Showroom, London; As We May Think curated by Alice Butler, IFI, Dublin; November Film Festival, Goldsmiths, London; Berwick Film & Media Arts Festival, Berwick-upon-Tweed, UK.
Brady is co-founder and co-curator of the PLASTIK Festival of Artists’ Moving Image, a biennial event of artists’ moving image in Ireland.
Brady’s works can be seen in the MExIndex and at http://jennifer-brady.com/